martyr v. trickster energy

One of my favorite books is Elizabeth Gilbert’s BIG MAGIC.  She writes about creativity and what type of energy we let dominate our lives.  She boils it down to two types.

The martyr OR the trickster?

“Martyr energy is dark, solemn, macho, hierarchical, fundamentalist, austere, unforgiving, and profoundly rigid.  

“Trickster energy is light, sly, transgender, transgression, animist, seditious, primal, and endlessly shape-shifting.”

“I believe that the original human impulse for creativity was born out of pure trickster energy. …Creativity wants to flip the mundane world upside down and turn it inside out, and that’s exactly what a trickster does best.  The trickster is obviously a charming and subversive figure.

But for me, the most wonderful thing about a good trickster is that he trusts.

He trusts himself, obviously. He trusts his own cunning, his own right to be here, his own ability to land on his feet in any situation. To a certain extent, of course, he also trusts other people. But mostly, the trickster trusts the universe.”

—Elizabeth Gilbert/BIG MAGIC

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Who wants to live with mostly martyr energy?

Martyr energy is a total bummer.

If the universe is meant to be played with, then we must PLAY.  This doesn’t mean we can escape the mundane parts of daily life, grief or death.  However, deploying our creative trickster energy when needed (even in very difficult passages of our lives) gives us more options and lets us access more creativity.

The trickster trusts and doesn’t let doubt or paranoia get in the way of a good time.

The trickster would invite the martyr to discuss something very serious and then maybe coax them into skinny dipping instead.

Come on, let your inner trickster out.

 

When I pay attention.

A few weeks ago, my friend Maggie Pace shared the Elle Luna book “The Crossroads of SHOULD and MUST” book with me.  It changed everything for me to think about my “MUSTS”.  I’m not making a living off of my art AND I’m not discouraged that I’m not making money from my work right now.  I’m learning.  My work is gaining depth. I’m increasingly more comfortable getting “out there” in the world and not just being alone in my studio (which I adore).  If I’m so driven to make things there has to be some real value in what I do—it simply hasn’t quite revealed itself in it’s entirety…yet.  I believe it just might one day and when I say VALUE I mean all kinds—quality, authenticity, relationships of all types (including self), originality and perhaps even monetary.

I wanted to explain how I ended up in Elizabeth Bunsen’s studio on Lake Champlain in Charlotte, Vermont last week.  Tomorrow I’ll begin a three part blog series and you’ll get to see her work.

1. PAPER

2. TEXTILES

3. RUST & MEMORIES