my 1980s spy movie fantasy

 

This week I was sent a cryptic message from someone named, Andrew Silva, alerting me that he left two photographs inside the front door of my home.

When I studied them I immediately thought of two things:

1.  I really love my $5 yellow, thrift shop, 1980s jacket.

2.  These images look like I’m a spy in a 1980s movie.  I was rather certain I had other images to round out my spy thriller storyboard fantasy.

The film opens with an urgent call being made from a phone booth in Florence, Italy by the spy in the yellow jacket.

She’s investigating a missing American student studying abroad in Amsterdam.  The student disappeared in Florence on holiday.  The photo was taken by her roommate and potential femme fatale in their shared Florence hotel room.

Male characters (suspects #1 & #2) are photographed in Florence.  They are being exceedingly careful with their public conversations.  The younger of the two is an American architectural college student.  He was seen seated next to the missing student at a cafe the day she disappeared.

An older man (suspect #3) is waiting for the bus in Florence.  He’s under surveillance by the spy in the fabulous, yellow, 1980s, five dollar, thrift shop jacket.  No one is quite sure why though, and neither is he.  The spy’s sneaky photographs are really annoying him.  He’s constantly swearing at her in Italian.  This provides the levity in the film.

The American student’s roommate (suspect #4) was spotted walking toward the Rijksmuseum in Amsterdam two days after her roommate’s disappearance in Florence with male (suspect #5). They clearly both know more than they’re telling investigators, casually seen shopping at Albert Heijn, the grocery store near the museum to give the appearance that it was just a normal day.

Male (suspect #2) is unknowingly photographed enjoying dinner out in Florence the night of the student’s disappearance.  He’s the father of the American architectural student and there’s obviously something quite shifty about him.  The angle of the photograph was carefully composed because the spy in the yellow jacket really wanted to remember the brand of balsamic vinegar from Modena on the table.

 

 

images by Andrew Silva, April 2018

hey folks, don’t hide behind the camera.

Yesterday my friend Andrew and I were in his innovative home studio shooting some photographs for a series he’s working on.  I was wearing a mask for the shoot.  When we were done, it seemed like a waste to not take a few “unmasked” photos when the light and background were all set up.

I was reluctant to post this image today, not because of the quality of the image.  Nice work Andrew.  But why?  I think perhaps the “why” is; the veins/age spots on my hands, the wrinkles around my eyes and my grey roots awaiting a touch up (tomorrow).  However, while looking more closely I don’t only see those things.  I see that I’m wearing my favorite “uniform” of paint splattered khakis, a tank top and a cowboy shirt I’ve had and loved for twenty years.  Around my neck is a pendant my daughter, Willa made for me in her metals class.  I’m really relaxed.  Down the road I wholeheartedly believe I’ll be grateful to have this portrait.  Thanks Andrew.

 

Today I printed it at the #BCA studios on Pine Street in Burlington (thanks Renee).  I plan to write some details on the back so my grandkids or great grandkids will possess some information about me and who I was in March of 2018.

Don’t shy from the camera folks.  You’re going to want photographs of yourself.  Get your favorite ones printed.  Only having digital images is so different than actually holding a print in your hand—get multiples & share them broadly.