last weekend on the high plains…

“The Great Plains were immense enough to inspire the grandest, most foolish of dreams—but they were also vast enough that no one could ever explore every corner.”
― Melanie Benjamin, The Children’s Blizzard

PHOTOS:

  1. The farm where my mother and uncle grew up—Wakonda, South Dakota. The house is gone, but the barn and yard were so familiar to me. I still remember the sound of the screen door, and the radio on top of the fridge relaying the hourly farm reports on WNAX.
  2. Somewhere northeast of Burke, South Dakota last Saturday.
  3. Meckling, South Dakota (The Hay Capital of the World) & Toby’s Lounge, home of their very famous and delicious broasted chicken. A joint I frequented as a kid with my Aunt Dorothy and Uncle Leonard.
  4. Leaving Burke last Monday.
  5. An abandoned car somewhere in Clay County.
  6. Heading downtown—Burke, South Dakota.
  7. A creek east of Burke.
  8. Somewhere west of Beresford.
  9. I love rainy road trips, I was listening to Zach Bryan’s, This Road I KnowI’m on this road…
    And I don’t know where I am, but I know exactly where I am

Here’s to spring and road trips wherever you find yourself.

Surrealism is 100 Years OLD…

I do not understand why, when I ask for grilled lobster in a restaurant, I’m never served a cooked telephone. ― Salvador Dalí

When I activate my sense of humor, curiosity, or absurdity…

I’m more willing to listen to other perspectives.

Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision. ― Salvador Dalí

surrealism: the principles, ideals, or practice of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational juxtapositions and combinations —(Merriam-Webster)

SOURCE:

https://www.nytimes.com/2024/02/28/arts/design/surrealism-centennial-pompidou-brussels.html?unlocked_article_code=1.h00.NC8a.MvUBP283Ljqo&smid=url-share

“Surrealism is inherently political. It started as a protest movement and a way to counter fascism and authoritarianism, so that’s why it still can be a very powerful political weapon for today. It will always be relevant. I would say, it’s a future movement.” —Patricia Allmer is an art history professor at the University of Edinburgh in Scotland (from the New York Times article cited above.