Cape Cod plates, mindful garbage & sharing…

I spent most mornings last summer photographing and then picking up trash on Town Neck Beach in Sandwich, Massachusetts. I created these plates with my Cape Cod photos after thinking about the amount of garbage floating in the world’s oceans.

I didn’t photograph the paper plates with ketchup/mustard smeared on them for obvious aesthetic reasons. Trust me, there were a lot of them almost every day. I provided a link below to one of my beach garbage posts from last summer.

I want to be more deliberate (not radical, just mindful) about garbage and the packaging I choose. Using these plates for a long time instead of plastic seems like an easy switch.

Hey, friends & family the plates will be in the garage ready for your use. Just shoot me a text and grab them on your way to the beach.

“Water and air, the two essential fluids on which all life depends, have become global garbage cans.”

—Jacques Yves Cousteau

See link: https://lisalillibridge.com/2020/08/14/beach-trash-in-50-words/

NOTE: I used Shutterfly—I had a good coupon.

prairie gothic…

Growing up, I felt there were basically two kinds of prairie descendants. Those folks who felt restless and longed for further exploration, and those folks who planted themselves so firmly that no other life was even ponderable.

In my estimation, both ways of living honored the ancestors who headed west and gambled on a new life…deciding, leaving, proving it up, or calling it quits. It all took guts, no matter how things turned out.

“We had no choice. Sadness was as dangerous as panthers and bears, the wilderness needs your whole attention.”
―Laura Ingalls Wilder

I don’t know what to make of these…

Sometimes I create images and I don’t know what to make of them exactly. Today, is one of those days. I would’ve preferred using images of other people…I wasn’t in the mood to ask for and wait for permission though. Shocking to those of you who know me well, I know.

OK, if I had to guess what sparked these now that I’m about to post them. I think they are about being honest with myself and protecting my heart, even when faced with uncomfortable truths I would rather deny or compartmentalize in some way.

mostly unseen work…

Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing–and keeping the unknown always beyond you.

—Georgia O’Keeffe

Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. —Coco Chanel

Life beats down and crushes the soul and art reminds you that you have one.
―Stella Adler

You can’t use up creativity.

The more you use, the more you have. —Maya Angelou

It’s not what you look at that matters, it’s what you see.
―Henry David Thoreau

fetch the bolt cutters,

I’ve been in here too long

—Fiona Apple

________________________________________

  • cardboard layers missing South Dakota
  • fashion magazine paintings
  • your voice counts-Harvard Review I believe
  • Oakledge Park early morning with a friend after snow
  • I recreated this poster for Jeff’s Christmas gift. He was at this show on his birthday, 1981 I believe. I couldn’t find an original.
  • winter light with lights, the field behind my childhood home
  • fetch the bolt cutters, a Fiona Apple song I love-applicable for COVID life

chapter II—desolation

I recently picked up my great-great-uncle, Will Lillibridge’s book, Ben Blair and landed on a few passages that seemed to fit what i was pondering in the moment.

“Ten miles out on the prairies,—not lands plane as a table, as they are usually pictured, but rolling like the sea with waves of tremendous amplitude—stood a rough shack, called by courtesy a house.”

—Will Lillibridge—Ben Blair—Chapter II Desolation

Usually in January I make an annual pilgrimage to my hometown of Burke, South Dakota. This year, because of COVID19, I won’t be traveling. So, on this Winter Solstice 2020, I’m reflecting on the prairie, my ancestors and revisiting my photographs.

I’ve always assumed that my love of stark landscapes was simply due to where I grew up. However, as I age I’m increasingly aware that it’s far more complex than that alone. I’m drawn to spaciousness in any form. In paintings, film, photographs, literature it’s what’s NOT there that I love and am so drawn to. Oh, and when there’s a well-placed pause in a song—damn, I swoon.

There’s a duality of growing up in rural America that I understand now at fifty-four and having lived out east for thirty years. There’s on one hand, a fiercely independent streak born out of generations of hardscrabble pioneer and homestead life, but there’s also what’s in the negative space everywhere that I’m more curious about lately.

For that pioneer spirit to survive on such isolated terrain, there’s often a high need for conformity. To me there can be a false sense of security that comes from conformity. When we conform too much, we might be leaving some of the best parts of ourselves hidden in the negative space.

INDEPENDENCE + CONFORMITY = ?

While being around the like-minded often puts folks at ease, the opposite can be quite true as well. When people are different, or deemed outsiders, it might be natural to fear that they might upset the social order in some way. Is this really true,or does it just FEEL true?

The psychology of geography, interesting enough in the year of a world-wide pandemic, is rooted in outsiders potentially bringing disease to a region. Of course illness was greatly feared when folks were trying to populate a new territory…all lives certainly mattered back then just as they do now.

To honor that fierce independence it seems to me that different skills, ideas, and perspectives should be exceptionally valued, hell, even celebrated—now more than ever regardless of one’s geography.

We really need all types of thinkers and doers to face the world’s many challenges. Perhaps this first day of winter is well-timed for some quiet contemplation on what seems likely to be an isolated, and potentially sorrow-filled season before the light returns.

“To-night, for the first time, and with a wonder we all feel when the obvious but long unseen suddenly becomes apparent, the primary fact of human brotherhood, irrespective of caste, came home to him.”

—Will Lillibridge—Ben Blair, Chapter XXII Two Friends Have it Out

‘scuse me while I kiss the sky…

Happy Thanksgiving from my neighborhood to yours!

Purple haze all in my brain
Lately things don’t seem the same
Actin’ funny, but I don’t know why
‘Scuse me while I kiss the sky

—Jimi Hendrix

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Be well. Stay safe.

autumn dreams…

“I’m so glad I live in a world where there are Octobers.”
― L. M. Montgomery, Anne of Green Gables

navigating uncertainty…

“Have patience with everything that remains unsolved in your heart.
…live in the question.”

―Rainer Maria Rilke, Letters to a Young Poet

more garbage beauty…

Just because you’re trash doesn’t mean you can’t do great things.

—Oscar the Grouch

hazy shades of summer…

It’s only September 30th, and Summer 2020 already is a little hazy and dreamlike to me. The winter & late spring oddly seem like they were long ago. And people I saw last week, well, somehow it feels like I haven’t seen them for ages.

I’m not alone in feeling this way, am I?

Seasons change with their scenery
Weaving time in a tapestry
Won’t you stop and remember me

Hang onto your hopes my friend
That’s an easy thing to say
But if your hopes should pass away
Simply pretend
That you can build them again

—The Bangles, Hazy Shade of Winter Summer

Living on COVID time perhaps…

Livin’ on Tulsa COVID time
Livin’ on Tulsa COVID time
Well, you know I’ve been through it
When I set my watch back to it
Livin’ on Tulsa COVID time

—Don Williams/Tulsa Time