I have my own thoughts about the stories of these women. However, I want you to use your own imaginations. What we see is so subjective based on our own experience.
I will offer this though, from my perspective, they are not hiding.
“Maybe I see things from a little bit farther away—which is a good thing. If you’re an artist, you see things differently than most people anyway.” —Nicole Farhi, London Sculptor
I created this work by painting over magazine images, photographing them with objects, and then playing in AdobePhotoshop. They’re all from the pages of Vogue and Kinfolk (Nicole Farhi is pictured in the striped shirt). I found beauty, narrative, and true artistry in the gorgeous original magazine images, of course. However, when I look beneath the surface of the subjects and models there’s far more than meets the eye at first glance.
Have fun making up your own stories about these women & please challenge your initial assumptions. I had far more fun when I dug a little deeper and noticed my quick judgments & hard-wired biases.
I was going through photos today and realized that my memories from January and February seem like a lifetime ago. Us Vermonters are now in the 5th week of sheltering in place. It’s quite remarkable how much the world has changed in such a short time. WOW!
I decided to give my not-so-old images a treatment to make them appear as vintage and fading as they now feel to me. I provided captions for the images and a few links below.
“Sometimes you will never know the value of a moment until it is a memory.” ― Dr. Seuss
I’ve been working in my studio on the #100dayartchallenge2020. I made this dress, it’s roughly Barbie size. While working on it, and on hour two, I suddenly felt completely ridiculous. Lisa, you’re a total fraud of an artist. What the hell am I doing?This doesn’t make any difference in the world during the pandemic.
I sought some guidance and landed on Dear Sugar—Cheryl Strayed’s New York Times podcast…her guest was Handmaid’s Tale author Margaret Atwood and her perspective about this time in history boosted me significantly.
Margaret Atwood…every human on the planet who has something to contribute about the story of us. And I think that that’s what’s so powerful about that moment of that understanding that, yes, we can bear witness, as you say. We don’t have to be a novelist. We don’t have to be a poet. We can do that even as a person.
This is the time to tell the story of us in whatever way speaks to you personally. Journal. Saving e-mails from friends and family. Cleaning. Music. Writing. Art. Sewing. Cooking. Reading. Making masks. Studying something new to prepare yourself for whatever comes next, or simply to amuse yourself.
It’s all worthwhile, Margaret said so.
My art isn’t going to change the world by any means, but maybe my hum of discovery, being in flow, problem solving and some small sense of completion is having some miniscule impact. I know it does on the anxiety level in my own home anyway. “Mom, go make something” has been a common refrain over the years.
I’m creating art out of nothing, using stuff I find in my messy basement studio. After hearing Margaret talk about the book Art & Energy by Barry Lord, my efforts felt a tiny bit, ever-so-slightly more relevant.
Margaret Atwood: So I’ve got a little bit of perspective, which is a man called Barry Lord, who wrote a book called“Art & Energy,” in which he connects the kinds of culture you have with the kind of energy that is supporting it…And then oil comes along. And it’s very cheap, and it doesn’t take that many people to produce it. And you get a culture of consumption. Lots of cheap stuff. But we’re now transitioning into renewable energy. And that will produce and is producing right now a culture of stewardship.
Hopefully stewardship or some version of it anyway is what’s coming next. Just imagine all of the possibilities…
stewardship: the conducting, supervising, or managing of something especially: the careful and responsible management of something entrusted to one’s care, stewardship of natural resources (Merriam Webster)
Thank you New York Times, Cheryl Strayed, Margaret Atwood and Barry Lord.
I’ve always been drawn to remoteness, old farmhouses and a chill in the air. My recent visit to my childhood home in Burke, South Dakota offered it all up for me. A blizzard, below zero temps and a borrowed four-wheel drive vehicle to venture anywhere I dared.
Around Burke, South Dakota—January 2020
Thank you Willa for being my photographic partner in crime.
Moving thousands of miles away from the security of family and friends, settling or cultivating unfamiliar land and trying to create something out of nothing is what many of our ancestors did in order to create a new life for themselves and their families.
PIONEERnoun: a person who is among the first to explore or settle a new country or area
HOMESTEADERnoun: someone who acquires or occupies territory as a homestead
I believe my heart and mind are new territories meant to be explored continually—expectations managed as circumstances dictate. I’m a pioneer on my very own emotional homestead, granted the privilege to manage exactly as I choose.
Excerpt fromThe Homestead Act of 1862
“Claimants were required to “improve” the plot by building a dwelling and cultivating the land. After 5 years on the land, the original filer was entitled to the property, free and clear…”
“The Homestead Act, enacted during the Civil War in 1862, provided that any adult citizen, or intended citizen, who had never borne arms against the U.S. government could claim 160 acres of surveyed government land. Claimants were required to “improve” the plot by building a dwelling and cultivating the land. After 5 years on the land, the original filer was entitled to the property, free and clear, except for a small registration fee. Title could also be acquired after only a 6-month residency and trivial improvements, provided the claimant paid the government $1.25 per acre. After the Civil War, Union soldiers could deduct the time they had served from the residency requirements.”