my interpretations of modernism, impressionism & baroque movements…

Modernism (1875-1960) The responses of modernists to modernity range from triumphal celebration to agonized condemnation and differ in mode from direct picturing of the impacts of modernization to extreme renovations of purely artistic assumptions and practice.  —Google Arts & Culture 

Standing Girl, Egon Schiele c. 1908-1909

I know my interpretation of Egon’s-Standing Girl doesn’t possess the same raw sexuality in any way. However, slowing down is shifting my perspectives in many ways & not just in my creative work.

Impressionism (1860 - ...) Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light...ordinary subject matter...crucial element of human perception and experience.  —Google Arts & Culture 
Baroque (1600 - 1725)  Usage of the term is often extended to the whole period 1600–1750 without qualifying restrictions, or improperly to mean a florid and elaborate style in art, architecture, music or literature, of any date from late antiquity to the early 20th century.  —Google Arts & Culture 

https://artsandculture.google.com/category/art-movement

art not shared…

or part of a series of work…so far anyway.

“You can’t use up creativity. The more you use, the more you have.”

—Maya Angelou

mostly unseen work…

Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing–and keeping the unknown always beyond you.

—Georgia O’Keeffe

Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. —Coco Chanel

Life beats down and crushes the soul and art reminds you that you have one.
―Stella Adler

You can’t use up creativity.

The more you use, the more you have. —Maya Angelou

It’s not what you look at that matters, it’s what you see.
―Henry David Thoreau

fetch the bolt cutters,

I’ve been in here too long

—Fiona Apple

________________________________________

  • cardboard layers missing South Dakota
  • fashion magazine paintings
  • your voice counts-Harvard Review I believe
  • Oakledge Park early morning with a friend after snow
  • I recreated this poster for Jeff’s Christmas gift. He was at this show on his birthday, 1981 I believe. I couldn’t find an original.
  • winter light with lights, the field behind my childhood home
  • fetch the bolt cutters, a Fiona Apple song I love-applicable for COVID life

matter is neither…

created nor destroyed…the total amount of mass and energy in the universe is constant. —Law of Conservation of Mass, discovered by Antoine Lavoisier in 1785

matter: the formless substratum of all things which exists only potentially and upon which form acts to produce realities —Merriam Webster

Lately, I’ve been thinking a lot about the concept of matter and how I spend my time, resources, and energy. I’m not a first responder, teacher, food producer, or any of the many admirable front line workers that kept us going during this remarkably challenging COVID19 year.

I’m an artist and making things and thinking about making things takes up a lot of my time…most actually. I think in potential constantly to produce other realities.

So, does making art in my basement studio matter in any way right now?

I just don’t know.

Here’s what I do know. I was unsettled the other day. I cleaned my studio. There was a lot of cardboard. I rescued it from the recycling. I created the work below. I felt much more settled.

Tension is who you think you should be. Relaxation is who you are.

—Chinese proverb