We are all BIG. We can all affect big CHANGE even in the life of one other being. We are so much bigger than this election. We are bigger than we can possibly imagine. The hardest part is BELIEVING this is so. WE can solve the biggest issues before us and our families, it’s not our government. It’s not ONE person. It’s US. It’s ALL of us working together. The AMERICAN SPIRIT has proven this over and over.
We all want to THRIVE and to do so it takes TEAMWORK.
SEEK LOVE, BEAUTY & KINDNESS TODAY.
We’re all going to be just fine, no matter what the headlines are tomorrow.
For many of you this is what you’re seeing outside your own front door. However, for those of you around the world, I wanted to give you a glimpse of New England autumn. It’s magical—my favorite time of year. I was born October 12th, 1966 and autumn is when I feel most “at home” in my life. Here’s a glimpse. I wish the vintage Cadillac was mine, alas it is not. I hope you enjoy the images.
“I have been dyeing wool and silk with eucalyptus for a few years – the scent that results is enough to keep me going especially during our long winters. I have quite the stash of beautiful samples and experiments… some I stitch (I love using the stitch as a design element) and some have resulted in teaching aprons, hats, pants and even sweaters. For me – a sleeve or a portion of a garment can become an art object all by itself.” —Elizabeth Bunsen
When Elizabeth refers to these pieces she uses “rusted” as a verb not an adjective. I love that. She was showing me different textiles and then let me know how they were “rusted”.
We really connected about making art that is usable and environmentally friendly. Her technique is easy on the earth and she uses fabric she already has or was given. That’s how I prefer to work too.
Her work has such a unique quality that at one point when she was showing me a sweater from her mother (top photo) I felt like I should be in a back room at The Shelburne Museum with white gloves on. I really adore the archeological quality of her work and process…again an ancient pull.
“I love paper. I especially love making marks on paper while collaborating with natural processes… I use tea, rust, botanical pigments, indigo and other domestic solutions. Doodling on these papers – around a ring of rust for instance functions as a meditative technique. Over the years my stash of marked papers has grown and I often mix them up in little sample books. I also hang lengths of marked paper on hand-twined silk strings along with eucalyptus dyed fabric. My “to do” lists often end up dipped into the indigo vat or dyed and become little books of collected dailiness. These processes often succeed in helping me create the illusion of slowing the passage of time.” —Elizabeth Bunsen
“Moon Over Nebraska” This license plate is from her Grandfather’s truck.
I sent Elizabeth my photos and asked her to respond to the images…because I had to have a better description for you, the readers.
For me to write about Elizabeth’s work is equivalent to trying to describe the way I feel when I jump into the ocean or feel rain on my face. It’s a sensation. It’s ancient and internal and highly personal and not easy to put into words. However, I’ll try.
My first pull to her work was threefold:
ONE: The palette (rust and blues make me swoon)
TWO: The license plate from a Nebraska truck. I’m from South Dakota.
THREE: A very unique quality that is feminine, industrial, dreamlike and yet tangible and familiar at the same time…again, ancient really best describes her work for me. Do you ever have those people, places or things in your life that keep surfacing even though you don’t have a known connection? For me it’s 1930s Berlin Cabaret—another post— another time.
Elizabeth’s work feels like I’ve been waiting to see it and that our paths were suppose to cross at this point in my life.
I hope you enjoy her work and please share and check out her blogs and FACEBOOK page.